{"id":3787,"date":"2014-10-14T07:57:13","date_gmt":"2014-10-14T06:57:13","guid":{"rendered":"http:\/\/footprintsoflondon.com\/?p=3787"},"modified":"2014-10-14T07:57:13","modified_gmt":"2014-10-14T06:57:13","slug":"oliver-twist-far-from-a-childrens-story","status":"publish","type":"post","link":"https:\/\/footprintsoflondon.com\/live\/2014\/10\/oliver-twist-far-from-a-childrens-story\/","title":{"rendered":"Oliver Twist &#8211; Far from a children&#8217;s story"},"content":{"rendered":"<p><a href=\"http:\/\/footprintsoflondon.com\/guides\/hazel-baker\/\">Hazel Baker<\/a> explains why Oliver Twist is very far from being a children&#8217;s story<\/p>\n<div id=\"attachment_3788\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/footprintsoflondon.com\/live\/wp-content\/uploads\/2014\/10\/oliver.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3788\" class=\"size-medium wp-image-3788\" src=\"http:\/\/footprintsoflondon.com\/live\/wp-content\/uploads\/2014\/10\/oliver-300x229.png\" alt=\"Oliver Twist\" width=\"300\" height=\"229\" srcset=\"https:\/\/footprintsoflondon.com\/live\/wp-content\/uploads\/2014\/10\/oliver.png 300w, https:\/\/footprintsoflondon.com\/live\/wp-content\/uploads\/2014\/10\/oliver.png 304w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-3788\" class=\"wp-caption-text\">Oliver picture courtesy Oxford University Press<\/p><\/div>\n<p>Many of Dickens\u2019 contemporary critics and reading public feared that novels could be too realistic, and that na\u00efve readers (often female readers) wouldn&#8217;t be able to tell the difference between fiction and reality. Especially for a novel like Oliver Twist, which is about &#8220;dangerous&#8221; subjects like poverty, crime, and the relationship between the two.<\/p>\n<p>Please sir, I want some more<\/p>\n<p>London is repeatedly described as a labyrinth or a maze \u2013 once you get into it, it\u2019s hard to get back out. The city itself serves as a kind of prison. It\u2019s filthy, foggy, and crime-ridden, and things aren&#8217;t always what they seem.\u00a0 Oliver is on his own from the start. No one pities him, and even though he\u2019s supposed to be looked after by the parish authorities, no one takes care of him. He\u2019s sent from one scene of cruelty and oppression to the next, and finally plucks up the courage to stick up for himself (first by asking for more food, then by hitting Noah in the face, and finally by running away). So, by the end of this stage, Oliver is completely on his own in the big bad world. The Artful Dodger tells Oliver he can come with him to a place where a gentleman will give him a place to sleep and food, for no rent. Oliver follows, and this is where our story begins\u2026.\u00a0<a href=\"http:\/\/footprintsoflondon.com\/live\/wp-content\/themes\/footprints\/walk.php?id=12545996413\">Follow the Footsteps of Oliver Twist &#8211; a London Guided Tour<\/a> &#8220;The image of little Oliver Twist victimised by poverty, almost seduced by the specious excitement of crime, and then offered the possibility of a lucrative career in authorship is always compelling&#8221; Guardian<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hazel Baker explains why Oliver Twist is very far from being a children&#8217;s story Many of Dickens\u2019 contemporary critics and reading public feared that novels could be too realistic, and that na\u00efve readers (often female readers) wouldn&#8217;t be able to tell the difference between fiction and reality. Especially for a novel like Oliver Twist, which&#8230;<\/p>\n","protected":false},"author":7,"featured_media":3788,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[52],"tags":[],"class_list":["post-3787","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literary-footprints"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Oliver Twist - Far from a children&#039;s story - Footprints of London<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/footprintsoflondon.com\/live\/2014\/10\/oliver-twist-far-from-a-childrens-story\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oliver Twist - Far from a children&#039;s story - Footprints of London\" \/>\n<meta property=\"og:description\" content=\"Hazel Baker explains why Oliver Twist is very far from being a children&#8217;s story Many of Dickens\u2019 contemporary critics and reading public feared that novels could be too realistic, and that na\u00efve readers (often female readers) wouldn&#8217;t be able to tell the difference between fiction and reality. 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